Open Tues - Sun: 5pm - until *Hours may vary depending on event schedule*

Whitsett with Moving Boxes, Come Clean and Elder Bright

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Nashville-based Whitsett, featuring Ryan Ward, Taylor Moser, Emma Privette, and Cody Woodell, is making waves in the world of emo. Known for their nostalgic content and collaborations with Emery and Aaron Gillespie, they forge connections with early 2000s youth through engaging social media. Notable performances include sharing stages with Mae and The Dangerous Summer, as well as a standout show at Furnace Fest 2023.

Alex Krug Combo w/ Matty Sheets

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Life is at its very core about exploring. We can remain stagnant and rooted in place, or we can take a page out of Alex Krug Combo’s playbook and dive headfirst. The thrill of adventure looms ahead of this band.  Their Genre Queer Psychedelic Rootz strikes a stunningly evocative chord about life, being an outsider and the kind of heartache and healing that transforms your soul.

Bedroom Division with briZB and Liam Martin

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Mellow, woozy and romantic indie-rock/pop from Greensboro, NC. Bedroom Division is the recording project from songwriter and multi-instrumentalist Dylan Wishon. Fusing mellow, jangly guitar with soft spoken synths, shimmering and dreamy vocals, and themes inspired by the joy and heartbreak associated with young love; Bedroom Division fits nicely in the genre family of dream pop, bedroom pop and indie rock. Creating soundscapes inspired by well known artists such as Mac DeMarco, boy pablo, Rex Orange County, and The Strokes.

Saphron w/ Ins Kino

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US singer-songwriter Zoe Anastasia Hardee began using the Saphron moniker in 2014 for a series of quirky and melancholic lo-fi recordings. Over the late 2010s the project expanded into a bombastic 3-piece art rock outfit featuring her longtime collaborators Ari Brewington Moore and Ian Waddill. The group has been lauded for their captivating, deeply emotive live performances, and their genre-defying post-punk sound.Ins Kino, the musical project of Raleigh, NC-based songwriter Evan Farkas, presents his second EP, Ins Kino 2. It presents 4 new tracks, each revealing a new avenue for Farkas’ continued melodic exploration. Farkas started as Ins Kino around 2019, as an outlet to channel and present the songwriting he’d been doing for years on his own.  The first two EPs were composed solo by Farkas, with significant input from Zack O’Brien (Yucky Duster, Starstruck, Slonk Donkerson), Farkas’ longtime friend and collaborator. Since 2022, Ins Kino has branched into a dynamic live act composed of himself and N.C. Triangle stalwarts Justin Ellis (Ravary, Easter Island), Kenny Florence (Annuals, Sunfold), Thomas McNeely (Jenny Besetzt, Cor de Lux), and Mike Robinson (Annuals, Sunfold, Lonnie Walker). Farkas takes his songwriting cues from the melody-soaked 60s, while his lyrical and sonic themes pull from all over the audio-visual timeline. Harmonies, strings, and a grand sense of scale pervade each song, but there is an intentional effort to make every song stand on the foundational relationship between melody, chords, and feel. Produced by Zack O’Brien at River Run Recording, Ins Kino 2 expands on Ins Kino’s chamber pop sound with evocative lyricism and arrangments, creating a dynamic offering that falls somewhere between post-Tranquility Arctic Monkeys and Grizzly Bear, with a heavy dose of The Beatles, Scott Walker, and Sinatra.

Amy Martin, Bonnie and The Mere Mortals, and Matt Elias

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Originally from Harrisonburg, Virginia, Amy Martin spent the majority of her adult life in her beloved hometown.  On her recently released album, “Travelin’ On”, Martin explores the breaking point between investing in a problematic, yet beloved place, and moving on to fully realize one’s self and one’s dreams. . . In 2021, Martin packed up her car and moved to Denver. . . after leaving it all behind, Martin came right back to the Shenandoah Valley for the making of “Travelin’ On” with Grammy-winning producer and musician Chance McCoy, formerly of Old Crow Medicine Show. On “Travelin’ On” Martin displays compassionate confidence, born from years of developing not only a musical voice but a certain outlook on life.Bonnie & the Mere Mortals is a project that equally sounds like something you’ve never heard before and something you’ve been hearing your whole life. A genre bend that draws you in, but is as easy on the eyes as it is on the ears. A project that’s pretty sure Hank done it this way, but Robert Smith was on the money as well, and that’s no problem. A live show that is just as at home with an introspective elegy as a barn burner. An aesthetic that is just as much classic Nashville as it is glam. Blending the earnest songtelling and excitement of a 70s Era Grand Ole Opry performance with the technology and theatricality of a synthwave show, the Mere Mortals find themselves halfway between Dolly Parton and Elvira, and at home anyplace.