An Evening With: Maritzaida
Maritzaida’s musical journey began in the quaint coastal town of Isabela, Puerto Rico. Raised by her abuelos in a blended family, she developed an early appreciation for the classics, particularly the timeless melodies of bolero. Her professional career kicked off in 2012, singing for U.S. Air Force Bands and touring globally with her husband and guitarist, AJ Weibe. In 2022, Maritzaida joined SideHustle Records and her debut albums, Boleros Clásicos Volumen Uno and Volumen Dos, resurrect the traditional bolero style with authenticity, offering a nostalgic yet contemporary experience. Produced by Charlie Hunter, the albums pay homage to Latin America’s romantic heritage, featuring classics like “Nuestro Juramento” and “Dos Gardenias.” Her April 2024 release, Alma Adentro: La Música de Sylvia Rexach y Tutti Umpierre pays tribute to Puerto Rican composers Sylvia Rexach and Tutti Umpierre that highlights the Puerto Rican bohemia style: a fusion of bolero with elements of jazz and other world music. Her latest release, Sentimientos En Vivo, was produced by Hunter and reflects on the emotional depth of the bolero in a stunning performance accompanied by seven-string guitar and cello. Maritzaida’s soulful renditions, complemented by skilled instrumentalists, deliver a captivating journey through the rich musical legacy of Latin America, inviting listeners to rediscover the allure of traditional bolero.
The Ultimate David Sanborn Tribute FT: Gary “The Mayor” Harris And Friends
An Evening with Saxophonist Gary Harris and Friends Featuring Music from the iconic David Sanborn. Join us at Flat Iron on October 1st for a special tribute to the legendary David Sanborn, featuring the extraordinary saxophonist, Gary Harris. Beginning his musical journey at the age of 10, Gary has since mastered the vintage Selmer Mark IV Tenor sax, captivating audiences worldwide with his soulful sound and vibrant stage presence. Having performed with legends such as Cecil Welch, William Bell, Percy Sledge, and Ann Nesby, Gary’s collaborations span genres and generations. His recording credits include work with Rhonda Smith, Joe Sommerville, Ann Nesby, and the iconic OutKast, showcasing his versatility and depth as an artist. Gary has graced some of the world’s most prestigious stages, including the Montreux Jazz Festival, North Sea Jazz Festival, Narni Black Music Festival, and the Atlanta Jazz Festival. Each performance is a testament to his exceptional talent and ability to connect with audiences through his music. In addition to Gary’s original music, the show will celebrate the influence and legacy of Sanborn, one of jazz’s most influential saxophonists, adding a layer of reverence and inspiration to the evening. Don’t miss this opportunity to experience the magic of Gary Harris live. Secure your tickets now and be part of a night that celebrates the extraordinary journey of a true jazz virtuoso and pays homage to the legendary David Sanborn.
House Of Fools (broken down)
For one night only House Of Fools will be will be performing a broken down set of songs written between the years of 2003 and 2015.
Damn The Banjos
Dawn Landes and Tyrone Cotton
Dawn Landes is a North Carolina-based singer-songwriter whose music you might have heard if you watch The Good Wife, House or Gossip Girl. Along with releasing seven albums and five EPs since 2005, she’s a frequent collaborator with contemporaries such as Sufjan Stevens, Norah Jones and composer Nico Muhly. She has appeared with the Boston Pops, the NYC Ballet and on the TED main stage. Her musical ROW about fellow Kentucky native Tori Murden McClure’s quest to become the first woman to row across the Atlantic Ocean premiered in 2021 at Williamstown Theatre Festival and is available on Audible. Her latest release is The Liberated Woman’s Songbook, an album of folk songs that leads us through a history of women’s activism from the 1800’s through the high times of Women’s Lib in the 1970’s. The album was produced by her longtime collaborator Josh Kaufman (Bonny Light Horseman) and features guests including Emily Frantz (Watchhouse, formerly Mandolin Orange), Kanene Pipkin (The Lone Bellow) Charly Lowry, Rissi Palmer and Lizzy Ross (Violet Bell). Tyrone Cotton’s earliest musical revelation was listening to the raspy, inspirational voiceof his grandfather, the Reverend Cleveland Roosevelt Williams, at his childhood homein Louisville, KY. Cotton began playing guitar along to the sounds of popular rock andblues artists and draws inspiration for his debut album from influences such as JerryGarcia, Jimi Hendrix, Buddy Guy, and Mississippi John Hurt, who intrigued Tyrone withhis “ finger pickin’ and soft, wispy voice.” Cotton’s debut album, Man Like Me, is theresult of a lifelong journey of his nearly 30 years of performing in venues and as abeacon of the Louisville music community where he continues to reside today. Thecollection of songs developed over the past decade and documented on Man Like Me,is a deeply stirring reflection of Cotton’s own experiences which explores connection,loss, hope and resurrection, punctuated by a voice that is hauntingly evocative yetequally warm and alluring.The title track is a stunner: “Man Like Me” is melancholy, dark and haunting as Cotton’srich vocal shrouds the opening line. “I understand you’re afraid / And you don’t want toget mixed up / With a man like me / Rumors follow me wherever I go / You better watchyour step / You might learn something you don’t want to know”. Producer JoshKauffman’s production throughout is impeccable in both its restraint and expanse, whichis no surprise given Kauffman’s prior production work with artists such as The National,Bob Weir, Anais Mitchell and Josh Ritter.His own writing is deeply personal and pulls from those influences and embodies a vastlandscape of soul, folk, blues, jazz, and rock n roll. “I’m working on new angles andapproaches to songs. I’m intrigued by the process of having a story already in place andchiseling it into a song; looking outside but still looking in.” says Cotton.Cotton has toured throughout the United States and overseas but it’s in his hometownwhere he’s played hundreds, if not thousands of shows at clubs and festivals. He alsoretains residencies at several senior living centers where his vast knowledge ofrepertoire is showcased through performance every week which span 70 years ofcontemporary music. Soon, Man Like Me will have its moment to join the canon ofthose celebrated contemporary works
Will Willis And Friends w/ Evan Blackerby
A hardworking individual, a devoted family man, and a storyteller weaving talesthrough the medium of song, Will Willis epitomizes the journey of a rambling soulfinding solace and roots in the serene depths of North Carolina’s mountains. Hisupbringing was nomadic, traversing the landscapes of California, Montana, theCarolina coast, and eventually settling in the rustic heart of Appalachia.Guided by his father’s craftsmanship and a profound belief in the ethos of self-reliance, Will inherited a passion for woodworking, relishing in the art of creativedesign and the satisfaction of seeing projects to fruition. While music came later inlife, it swiftly became his vehicle for articulating lived experiences and personal truths.Will’s lyrical narratives often unfold through the lives of characters, delving intothemes of addiction, relationships, and existential quests, yet always underpinned bya resilient spirit of hope. He perceives life’s trials not as mere trials but as essentialchapters in the ascent up the mountain of existence, viewing realism through the lensof optimism.For Will, music is a holistic endeavor, a collaborative symphony wherein each bandmember contributes their virtuosic talents, infusing the songs with newfound vigorand depth. His genre-defying sound, a fusion of Folk Rock with nuances of Blues andFunk, has garnered acclaim since his debut in 2004, notably with recent singles”Honey Bee” and “Mercy.”A stalwart figure in the Southeastern Americana scene, Will Willis anticipatesembracing new venues and expanding the horizons of his band, “Will Willis andFriends,” in the aftermath of their upcoming release “Digital Movement” in May of2024. With each performance, he invites audiences to embark on a journey of musicalexploration, where the evolving process of creation mirrors the dynamic essence oflife itself
Ameriglow, Instant Regrets, and Jonny Alright
Bianca Jade, DapYP, and Natalie Carr
Bianca Jade is a rising R&B powerhouse. Originally from Miami, FL, the Cuban-Jamaican singer-songwriter focuses on bringing light and empowerment to her listeners – especially women. Inspired by female soul-crooners such as Aretha Franklin and Alicia Keys, Bianca introduces a soulful approach to R&B that is well ahead of her years. Since breaking through with her debut album ‘B-Light’ in 2017, Bianca has gone on to perform with icons such as Jordin Sparks, Talib Kwali and Jojo, as well as making notable appearances on BET, iHeart Radio and NBC6’s ‘In The Mix’ in South Florida. As her profile continues to rise, Bianca remains committed to staying true to herself so that she might be an inspiration to future generations. Her latest EP ‘JADE Vol. 1’ is available now on all music platforms and has garnered over 200,000 streams on Spotify alone. Bianca’s music has received high praises from top platforms like Medium Magazine, This is RnB and Ones to Watch. Her single ‘Hooked’ ft. DapYP has also been featured on Netflix’s hit TV show ‘Perfect Match’ and Disney Plus’ ‘Big Shot.’
The Steel Crows, DAZR, and Galen Deery And The Reason Why
The Steel Crows are an amalgamation of influences, like bands of the 1970’s and 1980’s such as Led Zeppelin, The Rolling Stones, Aerosmith, Motley Crue, Guns N’ Roses, and countless others. Their unbridled love for rock and roll shines through in their music. From the rhythmically complex guitars and soaring solos, powerful and gritty vocals, crushing drums, and bone shaking bass, you would be surprised to learn that The Steel Crows are an American band consisting of 3 members not even old enough to buy a drink. Their flamboyant outfits, energetic performances, charismatic personalities, and all around great rock music set them apart from other bands today, and help them leave a mark on all of their dedicated fans and followers! DAZR is a powerhouse rock band that blends raw energy with expert musicianship. Formed by a group of seasoned musicians, each member brings years of experience and passion to the stage, creating a sound that’s both electrifying and unforgettable. DAZR’s music is a dynamic fusion of iconic rock influences with a modern edge, gritty guitar riffs, thunderous drums, and soaring vocals that leave audiences wanting more. Their performances are a high-octane experience, filled with energy, emotion, and a connection with the crowd that’s palpable from the first note to the last. The band’s first original single, “Night Lady,” has already made waves on Spotify and YouTube, capturing the attention of rock enthusiasts and industry insiders alike. With their next release set for September, DAZR is quickly becoming a name to watch in the rock music scene. Whether they’re headlining a packed venue or rocking out at an intimate gig, DAZR brings their A-game every time, proving that rock ‘n’ roll is alive and kicking. Keep an eye on this band as they continue to rise—DAZR is just getting started. Galen Deery & the Reason Why have crafted a sound like no other. We take influence from bands like Jane’s Addiction, Coldplay, and Led Zeppelin creating a launch pad for something totally different. With soaring choruses, shredding guitar solos, and a passion for bending the rules, we have something cool up our sleeves. Our goal is to use music as a bridge through the unseen aspects of human condition and consciousness. To uplift and inspire our fellow humans on a fundamental level that it may reginite harmony with the natural world. Hopefully, for the better.
John Moreland wsg: Nathan James Hall (Old Heavy Hands)
John Moreland doesn’t have the answers, and he’s not sure anyone does. But he’s still curious,basking in the comfort of a question, and along the way, those of us listening feel moved to askour own. “I don’t ever want to sound like I have answers, because I don’t,” he says. “These songsare all questions. Everything I write is just trying to figure stuff out.”Moreland is discussing his new album Birds in the Ceiling, a nine-song collection that offers themost comprehensive insight into the thoughts and sounds swimming around in his head to date.A compelling blend of acoustic folk and avant-garde pop playfulness, Birds in the Ceiling livesconfidently in a space of its own, enriched by tradition but never encumbered by it. Thesongwriting that has stunned fans and critics alike since 2015’s High on Tulsa Heat remainspotent, while the sonic evolution that unfolds on the record feels like a natural expansion of 2020’sacclaimed LP5.The New Yorker, Pitchfork, Fresh Air, Paste, GQ, and others have embraced Moreland’smeditative songs, while performances on The Late Show with Stephen Colbert, CBS ThisMorning, NPR Tiny Desk Concert, and more have introduced Moreland to millions. And yet, whilethe Tulsa-based Moreland is grateful for the respect and musical conversation he’s now havingwith people around the world, he is also more focused on the idea of just talking to one person––or even himself. “Through the years, I’ve felt like I’m increasingly talking to myself in my songs,more and more,” he says. “Maybe in the past, I wasn’t aware of it, but now, I am. I think doing thathas helped me be less hard on myself, which makes you more generous and compassionate ingeneral.”That helps explain why even if Moreland is reaching out to someone else, there is no judgment.“I’m in the same boat with whoever I’m talking to,” Moreland says. Moreland’s songs do feel intimate––like overheard conversations or solitary meditations. “I wantto talk one-on-one to someone in a song,” he says. “I don’t want to address a group, really,because I think that’s when it’s easy to start pontificating––and it gets less honest.”On Birds in the Ceiling, Moreland’s singing contributes to the feelings of hushed intimacy.Wielding a warm, sandpaper soul voice, Moreland got used to singing loudly as he began playingin bars, fighting to be heard over chattering crowds. “When I first started singing, I was very self-conscious about it,” he says. “I think I tried to affect my voice more. Singing loud could be asecurity blanket sometimes. On the new album, on a lot of the songs I was definitely making aconscious effort to sing quieter––almost whisper.”Produced by Matt Pence and Moreland, Birds in the Ceiling is dynamic: a folk record that refusesto stay in its lane. It’s the second album for Pence with Moreland, who sees the former––a Denton,Texas-based engineer, producer, and drummer––as an ideal musical partner. “We have a lot ofthe same influences, and I have been really influenced by his bands,” Moreland says. “It feelsreally effortless
