Time Sawyer + Crenshaw Pentecostal
Time SawyerTime Sawyer’s name reflects the pull between the past and the future. The character Tom Sawyer evokes the rural background and love of home that the band shares. Time is a muse for songwriting; it’s the thread that runs through life, bringing new experiences and giving us a sense of urgency, while still connecting us with our past.The folk-rock band has performed on the stages of some of the Southeast’s most iconic festivals, including Merlefest, Floydfest, Bristol Rhythm and Roots Reunion, Albino Skunk Music Festival, and Carolina in the Fall. They’ve shared bills with American Aquarium, John Craigie, Hiss Golden Messenger, Langhorne Slim, John Moreland, Steep Canyon Rangers, The Wood Brothers, Susto, and many more.In March 2020 the band started a variety livestream called “Sam on Sunday.” The show originated out of necessity, as the pause button was hit for live shows, but quickly, connecting with friends, family, and fans each week became just as important. As live music returned, the project transformed into “Sam on Someday,” bringing together guest artists of widely varying genres to create memorable, one-time-only collaborative experiences.Time Sawyer’s songs call out the attitudes and behaviors that lead to our divisions – the way that we show understanding to our friends and family, without thinking about how folks outside our social circle are experiencing their own problems, and are, at heart, just like us. The music does what might seem impossible. It holds listeners accountable, but at the same time, draws them in and makes them feel good about what we all have in common. One of Time Sawyer’s goals has always been for listeners to feel a sense of community and connection during the show, and then to keep it with them, long after the music ends.Crenshaw Pentecostal Zach, Dusty, Brian, Jeremy, & DrewNorth Carolina Dive-bar Arena Rock est. 2017
Eliot Bronson w/ Alan Peterson
Over the course of six albums, indie folksinger Eliot Bronson has created his own brand of atmospheric American roots music. He’s an award winner. A road warrior with audiences on both sides of the Atlantic. An internationally-renowned songwriter with a voice that swoons and sweeps, making fans out of everyone from his hometown newspaper, The Baltimore Sun — who championed Bronson from the very start, hailing him as “a folk singing wunderkind” back when he was still playing local coffeeshops — to Grammy-winning producer Dave Cobb, whose work on 2014’s Eliot Bronson and 2017’s James placed Bronson on the same client roster as heartfelt songwriters like Jason Isbell and Chris Stapleton. Talking To Myself marks the most meditative, melodic album of his career, with sparse soundscapes that are laced with acoustic guitar, light touches of keyboard, and clouds of reverb. When Eliot’s voice enters each song, it’s like sunlight piercing its way through the fog. “There’s pedal steel, upright bass, and a little bit of electric guitar,” he explains. “Other than that, it’s just me and Damon.” He’s talking about Damon Moon, the Atlanta-area producer best known for his work with regional indie rock bands. “Damon usually makes records with louder bands,” Eliot says, “and that was interesting to me. I wanted to work with someone who had a different sensibility than I did. He brought a new atmosphere to the album. Instead of playing bass on a song, we’d use a Moog. Instead of playing a shaker, we’d use a brush on the side of a tambourine. We wanted to get outside the box of what an Americana folk singer is supposed to sound like.” The result is a 10-song showcase of spacey dream-folk, with Eliot Bronson pulling triple-duty as singer, songwriter, and co-producer. On his previous record, Empty Spaces, he wrote about the messy end of a decade-long romance and the start of something new. Portions of Talking To Myself serve as an epilogue to that story, with songs like “From Rabun Gap” and “Are You Still Mean” measuring the distance between past heartbreak and present resilience. Elsewhere, Talking To Myself finds Eliot taking stock of the world around him, turning his personal experience into universal songs about the feelings we all share. “I was writing about loneliness, isolation, and reflection,” he says. “The songs were written or refined during the pandemic, and that’s what I was doing during that period: reflecting. It’s not a pandemic album, but it’s one that reflects the depth of an inner-life cultivated in a unique time in our lives.”
PHISH @ Madison Square Garden Live Stream
Can’t make it to New York? Come on down to The Flat Iron!
Harvey Street Collective w/ The Layaways
“Indie and alternative rock vibrations crafted with love and diligence.” Formed in the summer of 2021, the Harvey Street Collective has quickly become a staple in the Raleigh music scene. With original songs that have become local favorites such as “Irish Goodbye” and “Betty”, as well as a handful of sold out shows playing with the likes of The Futurebirds, The Stews, Arcy Drive and many more, they have created a sound that resonates with music goers all over the Southeast. With their debut EP “Gone for a While” and upcoming Southeastern tour in January 2024, Harvey Street Co is expanding further on the discography and fan base that they’ve been developing over the past two years.
Dance From Above: ft Brydecisive
DANCE FROM ABOVE FT. BRYDECISIVEW/ NIERVASH, 50FT, ALVIN SHAVERSTuesday, December 26, 20239pm-2am
PLUM
An evening with PLUM!FT. ELI FRIBUSH,JULIAN SIZEMORE, JORDAN ZOMPARELLI AND SPECIAL GUESTS FROM EF EXPERIMENT
E’Lon JD with Donnie Deneil And The Scrumptious
E’Lon JD is an American progressive soul artist, bass player, songwriter, and educator. He has found inspiration from artist such as, Jimi Hendrix, Andre 3000, and John Legend to name a few. His sound combines elements of soul, funk, jazz, and rock and could be described best as melodic driven, feel good music. He has recorded with acts such as, Phony Ppl, and The Gregory Bros., and has shared the stage with Belá Fleck, Members of Snarky Puppy, Victor Wooten, and Weedie Braimah. He is currently the bass player in the internationally touring band Jonathan Scales Fourchestra.
The Old One – Two Album Release Show with Rabbit Fighter
Emily Nenni with Bailey Bigger
The sun sets over the ranch, a can of beer cracks, and an acoustic guitar wrangles the day’s thoughts and memories into a semblance of order. During moments like these, California-born and Nashville-based singer and songwriter Emily Nenni chronicles her life through delicate songcraft rife with honky-tonk spirit and spiked with just the right amount of soul. In possession of a deep understanding of music stoked by a lifelong passion and sharp chops shaped by endless sets in smoky bars and sizzling doublewides, she asserts herself as the consummate country storyteller on her full-length debut album, On The Ranch[Normaltown/New West Records]. “What I love about country is the songs can be very honest and vulnerable, yet they’re beautiful enough to make you cry,” she notes. “My music is sweet and sad, but I don’t take myself too seriously. It’s old school honky-tonk with a slightly different flavor.” Her story represents the difference. Growing up in the Bay Area “in a family of music nerds,” her father worked in radio, and she even attended her first Bruce Springsteen show in utero. Mom and dad took her to countless concerts as a kid and regaled her with endless tales of music lore. Emily’s mother introduced her to the likes of Patsy Cline, Willie Nelson, Jessi Colter, and Hank Williams, while her father spun James Brown and John Coltrane. Following high school, she attended Columbia College with a major in audio engineering. After a year, she dropped out and saved up enough money to move to Nashville — despite not knowing a soul in the city. In order to break into the iconic Robert’s Western World on Broadway, she baked cookies for the bouncers and house band, finding herself on stage not long after. Simultaneously, she sharpened her skills at Santa’s Pub, often playing all night and building a buzz in the process. “I moved to Nashville, because it felt homey to me,” she says. “Once I got there, it was a big country music education.” Eventually, she linked up with producer and frequent collaborator Mike Eli. Together, they cut her independent debut LP, Hell of a Woman, in 2017. Next up, she joined forces with Teddy and The Rough Riders for the I Owe You Nothin’ EP before serving up 2020’s Long Game EP. The latter’s title track cracked over 1 million streams as she caught the attention of Normaltown & New West and signed to the label. Plus, she earned critical acclaim from the likes of Glide Magazine who proclaimed, “Nenni possesses a unique and deeply charismatic vocal charm.” Around the same time, she ventured to Colorado for a job at a ranch. “Mike’s wife worked there,” she goes on. “She’s a legitimate cowgirl. The owner needed an extra hand, so I served meals, took care of her kid, and played for guests once a week. I’m definitely not a real cowgirl though. Outside of my jobs, I played with the dogs, wrote most of the record, and, mostly, drank beer,” she laughs. She recorded On The Ranch with Eli and Alex Lyon. Fittingly, Emily introduces the album with the title track and first single “On The Ranch.” The beat simmers beneath slick dobro and a rollicking lead riff. Her bright verses give way to an unshakable rhyming refrain, “Out on the ranch to avoid my troubles, looks like I’ve got double.” “The ranch was beautiful,” she says. “It was located right on the Great Sand Dunes National Park. Sonically, the song has an eighties honky-tonk feel, which I love.” Then, there’s “In the Mornin.'” Guitar creaks as her voice rings out with a promise, “When the sun comes up, I’m hitting the road.” “You can stay at my house, but in the morning, you’ve got to get out of here,” she elaborates. “I wrote it from a female perspective where it’s a woman saying this instead of the man.”
An Evening With Driftwood
An Evening With Driftwood
