YARN ft. Brock Butler of Perpetual Groove w/ support: Alan Peterson

Yarn’s ability to persevere ought to come as no great surprise, especially for a band that spent two years honing their chops during a Monday night residency at the famed Kenny’s Castaway in New York’s Greenwich Village. In effect, it allowed them to rehearse onstage, mostly in front of audiences that often ranged in size from five to a hundred people on any given night. 10 studio albums followed — Yarn (2007), Empty Pockets (2008), Leftovers Part One (2009), Come On In (2010), Leftovers Part 2 (2011), Almost Home (2012), Shine the Light On (2013), This Is The Year (2016), and Lucky 13 parts 1 & 2 (2019). The band then took to the road, playing upwards of 170 shows a year and sharing stages with such superstars as Dwight Yoakam, Charlie Daniels, Marty Stuart, Allison Krauss, Leon Russell, Jim Lauderdale, Amos Lee, The Lumineers and many more. They performed at any number of prestigious venues, Mountain Stage, Daytrotter, the Orange Peel, the Fox Theater, the 9:30 Club, South by Southwest, the Strawberry Festival, Rhythm and Roots, Floydfest and so much more. They have landed on the Grammy ballot 6 times, placed top five on both Radio and Records and the AMA album charts, garnered airplay on Sirius XM, iTunes, Pandora, CNN, and CMT, been streamed millions of times on Spotify, Apple Music, and Amazon, and also accorded the “Download of the Day” from Rolling Stone. and Shine the Light On found shared songwriting credits with John Oates.
America Part Two w/ Latewaves, Dull Mourning, Holy Figures
Totally Slow with Night! Night! And Instant Regrets

Totally SlowTotally Slow make razor-sharp, no-frills melodic hardcore, with angry lyrics that show how the personal is inseparable from the political when the country is on the brink of chaos. TS combines the melodic anthems of 1980s SoCal bands like The Adolescents, Agent Orange and The Faction with the skewed rawk of ‘90s San Diego bands Drive Like Jehu and Truman’s Water, and the righteous conviction of classic DC hardcore like Dag Nasty, Gray Matter and Fugazi.
OH NO! Casino with Shines

OH NO! Casino with special guest SHINES!doors at 8pmshow at 9pm$10
Roosevelt Collier

Soft spoken by nature, South Florida-bred ROOSEVELT COLLIER does his hollering on the pedal steel guitar. Brought up in the “sacred steel” tradition of the House of God Church, Roosevelt built his reputation alongside his uncles and cousins in The Lee Boys, known for their spirited, soul-shaking live performances. Seated front and center, “The Dr.” leaves an indelible mark on listeners, flooring audiences with his lightning-fast slide work on the pedal steel. At festivals, he is a regular “Artist at Large,” performing alongside many of music’s most prestigious acts, from the Allman Brothers, Tedeschi-Trucks, Los Lobos , the Del McCoury Band and countless others. In 2017, Roosevelt debuted his new project Bokanté – a “World Music All-Star Band” created by Snarky Puppy founder Michael League and featuring the vocals of Malika Tirolien. As a bandleader, Roosevelt leads his world famous “get-downs” featuring a mixture of “superstars and church folk”, his own “Jimi Hendrix Experiment”-style all-star trio, and in 2018 has released the long-awaited Roosevelt Collier debut record, featuring an incredible mixture of blues, gospel, rock, and funk all rolled up by producer and bandmate Michael League.
The Wilson Springs Hotel

The Wilson Springs Hotel are rooted in folk music and hail from all parts of Virginia; bringing country, folk, bluegrass, and rock together. Based in Richmond, VA TWSH brings high energy music and cohesion to their live show.Their second album is slated for release on April 14th, 2023.
Karly Driftwood, Mackenzie Roark, + Carri Smithey

Karly Driftwood: “Once in a while a record will come along and make the listener pay attention, whether it be by the songwriting, the playing, or by sheer force. On Karly Driftwood’s debut record, Too Mean to Die the Virginia-born singer-songwriter eschews country music stat quo and instead leans on the dark themes of life. Too Mean to Die is a country record that’s scarred, jagged like shards of a broken beer bottle but also sugary sweet – if your idea of puff pastry is laced with arsenic. The songs are just as much influenced by the Misfits or Danzig as they are Johnny Cash or Dolly Parton; to put a finer point on it, Karly Driftwood is a potent mixture of equal parts Sylvia Plath and The Drive-By Truckers. Even her stage name, “Driftwood” is a nod to Otis Driftwood from Rob Zombie’s The Devil’s Rejects.” – Farce The MusicMackenzie Roark: There are shades of blue that don’t wash away and those hues are perfectly captured in the songs of Richmond’s own Mackenzie Roark. Exploring the tragically beautiful narratives littered across the honky tonk heartbreaks of the South, her songs lull heartache through brutal yet honest truths. With her sound firmly planted in the distant past of country and folk music, Mackenzie Roark brings those antiqued tones to new life in her forthcoming debut full length album, “Rollin High, Feelin Low.”Carri Smithey: The debut album by The Carri Smithey Band – Midnight Ride, plays as a veteran effort; 11 songs steeped in classic country and finished with the accouterments of rock and roll. Recorded and mixed by Dynamic Soundworks in Wilmington, NC, the album portrays a rich modern vibe while still living in a world of rustic sensibility.
Monet Maddux and Zoë Nutt

A native of Birmingham, Alabama, Monet Maddux grew up listening to a mixture of family albums consisting of Peter Frampton, Patsy Cline, Lynyrd Skynyrd, Ricky Lee Jones and Simon & Garfunkel just to name a few. She attended Auburn University to study journalism, but would came to discover her passion for writing was not news reporting but songwriting. Finding herself on the other recovering side of cancer, Monet began pursuing her gift of writing lyrics full time. Today she is a self taught musician, who has now shared the stage with Big Head Todd and the Monsters, Blackberry Smoke, Mat Kearney, Travis Meadows and Outlaw Country’s own troubadour, Ray Wylie Hubbard; who also produced Monet’s first self-titled album in 2018. Monet’s co-writing ventures have lead her to East TN’s duo The Young Fables earning her, her first cut with the song OVER YOU featured on their album entitled PAGES in 2022. Zoë Nutt is a Nashville based singer-songwriter hailing from East Tennessee. Nutt has no fear when it comes to her latest track “Say”, a powerful anthem that energizes you to be yourself no matter what others think. “Say” is one of 4 songs off Zoë’s new EP “Say What You Wanna Say” and was featured on Apple Music’s “Best New Americana Songs” list as well as their “New In Americana” playlist. Nutt has dealt with progressive hearing loss throughout her life, but has not let that stop her from making music. She uses a hearing aid and cochlear implant to hear. Although hearing loss is a prominent part of her life, she does not let that define her music. Her work finds itself meshed between Americana, Country, Blues and Alternative with her latest EP co-produced by Zoë herself and Oran Thornton.
Jess Klein w/ Couldn’t Be Happiers

Over a career that spans two decades and has won her a devoted worldwide fan base, Jess Klein—who possesses what Mojo magazine calls “one of those voices you want to crawl up close to the speakers to listen to” has pursued a remarkable creative evolution that’s seen her dig ever deeper for resonant emotional insights, while continuing to refine her eloquently melodic, effortlessly accessible songcraft. Jon Pareles of The New York Times calls her “a songwriter with a voice of unblinking tenacity…who finds parables in the everyday and also finds humanity behind the archetypal”
French Cassettes w/ Mellow Swells

French Cassettes music is filled with winding melodies that pop up unexpectedly but grab hold and don’t let go… and may leave you asking “who needs hands with hooks like these?” The harmony-driven power-pop quartet’s new LP, Rolodex, was conceived beneath a stairwell in the band’s adopted hometown of San Francisco, where frontman Scott Huerta spent months staying up until 4 am, obsessing over elaborate demos that would eventually become his band’s sophomore album. “I adopted the mentality, which was probably unhealthy, that every song I wrote needed to be my favorite song,” he remembers. “I lost my mind so many times in the middle of the night.” The album was self-recorded by lead guitarist Mackenzie Bunch in just about every corner of the Bay Area, and the songs that were eventually stitched together are hook-filled and rooted in pop. But they’re also layered and intricate recordings: complex vocal harmonies and counter-harmonies, Rob Mills’ inventive percussion, Thomas’ (Scott’s brother) honey-coated basslines, and every shade of clean and fuzzy guitars stacked up like an orchestra. These uncommonly majestic, esoteric pop forms serve as the perfect delivery service for Huerta’s playful and verbose lyrics, which are often presented as semi-autobiographical puzzles. Taken together, the eight tracks and 24 minutes that make up Rolodex are an epic statement of purpose in a decidedly taut package.*************************Mellow Swells is a band from the triangle area that soar blasts funk, rock, and intense improvisation to its listeners. Their influences range from traditional music all the way to modern funk/pop. Expect to get beef blasted by some low end bass, sweaty by some deep grooves, and slapped by soulful vocals and soaring riffs.