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Abigail Dowd, Josh King, and Nathan James Hall

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Josh King –  is an American singer-songwriter from Greensboro, North Carolina, best known as the frontman of the indie-rock band House of Fools. After earning attention with the band’s melodic, harmony-rich rock, King launched his solo career with Into the Blue in 2018, a reflective blend of Americana and roots-rock. He continued to evolve his sound with The Shed (2020), a raw, home-recorded album born during the pandemic, and Feel Good (2021), a bright, melodic indie-pop/rock collection. Alongside his recording work, King remains an active force in the Greensboro music community and co-owns The Flat Iron, a venue supporting both local and touring artists. Nate Hall – Nathan James Hall is a North Carolina–born singer-songwriter known for his gritty voice, poetic storytelling, and raw Americana sound.  Before launching his solo work,  Hall toured nationally with the acclaimed band Old Heavy Hands, earning praise for his emotional intensity and blue-collar songwriting.  His debut solo EP, Midnight, introduced a darker, more intimate sound—blending folk, rock, and haunted southern soul.  Hall’s first full-length album is set to arrive in early 2026 on Moths Record Co, expanding his sonic range with cinematic arrangements and unflinching honesty.  Whether on stage or on record,  Hall delivers songs that feel lived-in,  heavy with heart,  and rooted in the American experience.

CANCELLED: Spencer Lajoye

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Spencer LaJoye (luh-JOY) is a coast-to-coast singer/songwriter from the Midwest making queer indie folk music for everyone. The 2021 Kerrville Songwriting Competition winner and 2024 Songwriter Serenade winner spins crystalline vocals through a loop pedal while strumming an acoustic guitar in charming, banter-heavy performances that keep audiences laughing one moment and weeping the next.

Abigail Dowd w/ Barry Gray and Carrie Morgan

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Barry Gray – Barry Gray’s family band, Graymatter, is a Triad and Triangle, NC favorite, performing 60s and 70s covers in four-part harmony. Barry is also a member of the Wes Collins band (among other distinctions, Wes is a winner of Kerrville’s prestigious Grassy Hills New Folk Competition for Emerging Songwriters). In 2018, Barry was awarded a North Carolina Arts Council Artist Fellowship in Songwriting, which led him to record his debut album, Footsteps. https://barryandisabel.com Carrie Morgan – Carrie Morgan was born in northeastern North Carolina, where, with beauty and blues all around, a girl can’t help but write. And then she picked up a guitar. One thing led to another and, having studied songwriting in Nashville and then classical and jazz voice in Chicago before settling in Greensboro, she has been writing songs for over two decades about finding home, love and *herself* in a world full of wonder and loss, and using every genre at her disposal to express it. She’s settled mostly into a folksy singer-songwriter path, but you’ll easily find blues, jazz and country influences between the lines. https://www.carriemorganmusic.com Abigail Dowd  Our fearless host who still enjoys music most when it’s embedded in real life, sitting around a fire, singing harmonies around an old family piano, or every third Tuesday night at the Flat Iron. Each month Abigail invites musician friends to fall into space with her and the audience for what she describes as an evening in her adopted living room. They collaborate, share new songs, play old favorites, make things up, make you cry, make you laugh and most of all make you glad you came. 

Laurelyn Dossett + Caroline Cotter

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Singer/songwriter Laurelyn Dossett lives and writes in Stokes County, NC.  Her songs have appeared in film and television (Hell on Wheels, Ain’t In it for My Health) and have been recorded by many artists including Grammy-winning Levon Helm (Anna Lee) and Rhiannon Giddens of the Carolina Chocolate Drops (Leaving Eden). She is currently finishing an album of new songs, with M.C. Taylor of Hiss Golden Messenger producing.  She has written the songs for seven plays, staged at Triad Stage and Playmaker’s Repertory.  Her song cycle, The Gathering: A Winter’s Tale in Six Songs was commissioned by the North Carolina Symphony and premiered in Raleigh in 2011. She will be a featured artist with the Charlotte Symphony Orchestra December 2025, performing some of the songs from The Gathering and Beautiful Star. Laurelyn has written songs for various protest movements in North Carolina including My Beloved Enemy and Vote Against Amendment One. She remains a voice for social justice and environmental activism in North Carolina and beyond.  The River’s Lament is her testament to the devastation of the Dan River coal ash spill. She founded the annual “Songs of Hope and Justice” at the North Carolina Folk Festival.   Laurelyn teaches songwriting in the UNCG School of Music.  Caroline’s sunlit, heartfelt songs explore themes of connection, nostalgia, and gratitude—rooted in a life of travel and deep listening. She’s played over 1,000 shows across 45 states and 16 countries, and her three albums reflect her unique voice and emotional depth.  

Karla Davis w/ Rachel Gore

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Karla Davis is a soulful singer/songwriter originally from Monroe, North Carolina. Having performed on the stages of NBC’s The Voice, Late Night with Jimmy Fal- lon, The Grand Ole Opry, and the Ryman, Karla has certainly found her voice. Often described as having a “country blue-eyed soul” sound, it’s no surprise that Davis’ inspiration is rooted in artists like Roberta Flak, James Taylor, and Bonnie Rait. You can find Karla’s recently released unique cover of the Bruce Spring- steen classic “Dancing in the Dark” on all platforms now.

Nicholas Jamerson w/ Justin Clyde Williams

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Nicholas Jamerson is a Kentucky-born singer-songwriter whose music blends Appalachian storytelling with spiritual grit. His new album, The Narrow Way , is the final installment of a trilogy exploring the winding path of faith, family and self-discovery. With a voice rooted in tradition and a pen sharpened by experience, Jamerson invites listeners to walk with him through the shadows towards something honest and eternal . Whether playing to a packed room or writing in the quiet , he carries the weight of memory, the fire of purpose and the humility of a man still learning.

An Evening With Ray Bonneville

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Ray Bonneville has created and mastered a fusion of traditional American Roots and Blues music all his own and deeply influenced by his upbringing in French Canada and the years he spent writing and playing music in New Orleans.  He is known as the master of the slow burn, the groove and acclaimed for his harmonica tone. With a greasy guitar style, horn-like harmonica, smoky vocals and pulsing foot percussion he captivates audiences by being his own backing band. Known for his sparce evocative storytelling, Ray’s songs often feature characters living on the fringe of society, set down lonely roads, on long stretches of highway or in the belly of teeming cities. In 1999 Bonneville won the Juno award (Canada’s Grammy) for his Album “Gust of Wind” and was nominated twice more. Ray’s song “I am the Big Easy” was the most played song by American folk DJs and won “Song ofthe Year” in 2009 and was recorded by Jennifer Warnes in 2018. Ray won the International Blues Challenge solo category in 2012 in Memphis. Ray Bonneville began writing songs when he was forty years old and has released ten albums in thirty-five years since then. He will release his eleventh album, with the working title “Nomads and Refugees” in January 2026. He has toured relentlessly across the U.S., Canada, Europe and Australia.   Jim Withers (Montreal Gazette) describes his sound as “folk-roots gumbo… a languid Mississippi Delta groove, seasoned with smooth, weathered vocals and a propulsive harmonica wheeze. Whether performing solo or fronting a band, playing electric or acoustic guitar, Bonneville allows space between notes that adds potency to every chord, lick, and lyric.” Thom Jurek (Allmusic.com) remarks, “With darkness and light fighting for dominance… he’s stripped away every musical excess to let the songs speak for themselves.”

Spencer Thomas + Tom Troyer

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The songs on Spencer Thomas’ new LP, The Joke of Life, (out now), much like a good joke, are many-layered. His talent is immediately obvious, with sleek composition and production throughout. There’s a nostalgic, everyman flair to his music that doesn’t hang on the influences of the past, but uses them as a guiding light to elevate his voice. Songwriting reminiscent of Warren Zevon’s later work takes the helm as Thomas examines the gap that can be left between the expectations of life and the sometimes tenuous reality. Songs like “Misty Eyes”, “Fake Rain” and the album’s title track “The Joke of Life” present light-hearted, even laughable, acceptance of the often undesirable cards we’re dealt. The album chronicles a period of change and rebirth for Spencer, who is no stranger to the open road. Beneath the album’s more obvious virtues is a wit and longing borne from the experiences and struggles of a working-class musician. “The sadly beautiful, unassumingly wonderful The Joke of Life has all the creative twists, timeless melodies and emotional resonance of one of those ageless 70s singer/songwriter LPs you keep returning to: Warren Zevon, Paul Simon, Paul McCartney’s Ram.” – Magnet Magazine   “Throughout the ten-track collection, Thomas examines the space between expectations of life and the reality that sometimes clashes horribly with those expectations. At the same time, it sees the multi-talented artist working through a period of change and rebirth.” – American Songwriter     Tom Troyer is a producer, audio engineer, singer-songwriter and multi-instrumentalist from the band Farewell Friend. With a penchant for stream-of-consciousness song craft and lyrical poetry, his compositions delve into the realms love, loss, and the complex tapestry of familial bonds. Tom’s acoustic and stripped-down style resonates with a profound emotional depth and clarity.   

Robbie Fulks w/ The Carolina Cutups

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Robbie Fulks has always been more than a conventional country singer and songwriter. After growing up in North Carolina and spending time in New York City, Fulks began his professional music career playing bluegrass in the band Special Consensus before emerging as a solo artist in Chicago during the mid-1990s. His early albums received nationwide praise for blending a modern sensibility with honky-tonk country. His creative partnership with the late Steve Albini resulted in a string of highly regarded albums, showcasing his sharp lyrical wit, sophisticated instrumentation, and inventive storytelling.

Heather Mae and Crys Matthews

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A troubadour of truth, Nashville resident Crys Matthews is among the brightest stars of the new generation of social justice music-makers. An award-winning, prolific lyricist and composer, Matthews blends Americana, folk, blues, and bluegrass into a bold, complex performance steeped in traditional melodies punctuated by honest, original lyrics. She is made for these times. Of Matthews, ASCAP VP & Creative Director Eric Philbrook says, “By wrapping honest emotions around her socially conscious messages and dynamically delivering them with a warm heart and a strong voice, she lifts our spirits just when we need it most in these troubled times.” Justin Hiltner of Bluegrass Situation adds, her gift is a “reminder of what beauty can occur when we bridge those divides.” Her hope-fueled, love-filled, social-justice album called Changemakers was released March 26, 2021, and the title track was named the International Folk Music Association’s “Song of the Year” in May of 2022.   HEATHER MAE ISN’T JUST WRITING SONGS—SHE’S WRITING REVOLUTIONS. A GENRE-DEFYING ARTIST-ACTIVIST, SHE FUSES THE GRIT OF ALTERNATIVE ROCK, THE INFECTIOUS HOOKS OF INDIE POP, AND THE STORYTELLING DEPTH OF FOLK TO CRAFT ANTHEMS FOR THE OUTSIDERS, THE SURVIVORS, AND THE SEEKERS OF RADICAL JOY. HER MUSIC IS AN UNFLINCHING MIRROR REFLECTING THE RAW REALITIES OF MENTAL HEALTH, QUEER LIBERATION, SURVIVOR EMPOWERMENT, AND THE FIGHT FOR JUSTICE.