EMERGING ARTIST SERIES:
Sam Burchfield and The Scoundrels w/ Local Emerging Artist: Chris McGinnis
Presented by The Wyndham Championship
and MusicGreensboro
Sam Burchfield was raised in the foothills of the Blue Ridge Mountains of South Carolina, where he learned to play and learned to write. His youth was steeped in the mossy creeks and deep ravines of those ancient woods, and they imbued him with the gift of song. Now in his thirties, Burchfield raises a small family in the North Georgia mountains and continues to find inspiration in the rivers and ridges of Southern Appalachia.
His latest album ‘Me & My Religion’ was produced with his touring band, The Scoundrels. It is the first collaboration for the group after years of paying dues to the highway. Colin Agnew (drums), Trygve Myers (bass), and Ryan Plumley (guitar) accompanied Burchfield to Muscle Shoals, Alabama along with Nashville producer, Rachael Moore, to record the album of 7 days.
This 10 track album is almost equal parts Americana, psychedelia, indie folk, and Southern rock. All these flavors combine to support the album’s main theme. As seasoned listeners will expect, Burchfield’s lyrics are far from on the nose, as the declarative title would suggest. ‘Me & My Religion’ is an exploration of mankind’s toil for meaning in a world of vapid consumerism and commercialism – one in which we have become deaf to our own harmony with nature. Despite the weight of these ideas, the album feels like a lighthearted sojourn through the backwoods of our imagination.
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FEATURING LOCAL EMERGING ARTIST: CHRIS MCGINNIS
North Carolina artist Chris McGinnis writes songs that exist somewhere between a hiccup and a heartache. His most recent EP, ‘Songs For You,’ touches on the peculiarity of your hometown morphing beyond recognition. It tells the story of two Baby Boomers falling in and out of love across time zones and decades. It’s about connection and disconnection alike. With the release of his debut full-length album ‘Mamaw’s Angel,’ Chris veers deeper into these familiar themes. Through tales of stolen Winnebagos and hip-shaking grandbabies, Chris’ music is Appalachian absurdity for the 21st Century.
