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Gustafson recorded Dust in nine days, the fastest he’d ever recorded anything. It was
the fastest he’d ever written anything, too – in the past, writing a song would take
months, but this time he somehow felt freer, and wanted to have fun. The record was
recorded at Sylvan Esso’s studio, Betty’s, in the woods of Chapel Hill, North Carolina.
He built it out with help from a number of his musician friends – Joe Westerlund
(Watchhouse, Megafaun, Califone) on drums, Andrew Marlin (Watchhouse) on
mandolin, backing vocals from Alexandra Sauser-Monnig and Molly Sarlé of Mountain
Man, among others.
Dust is meant to be listened to while taking a night drive, farflung and roving and
existential. Somewhere between the expansiveness of American jamband and the
banjo-centric folk songwriting of Gustafson’s Appalachia home. Gustafson explains the
thematic throughline succinctly: “It’s this idea of uprooting and rebirth and cycles, and
the past informing the future, and the future informing the past. There is no single story.
Everything is connected.”