The Copper Children
The Copper Children are a unique blend of styles and influences that span from the choral sounds of American gospel music to the psychedelic acid jam fueled sounds of the 60s. Live they take you into your heart space, conjuring the spirit of unity, freedom, silliness, and love, with harmonies and rhythms that remind us of our shared humanity. The Copper Children have shared the stage with notable artists such as Jerry Garcia Band, The Flobots, Devotchka, Mike Love, Everyone Orchestra, Elephant Revival, Dustbowl Revival, Handmade Moments, and many more. Over the years the band has performed for audiences at Summer Camp, Northwest String Summit, Arise Music Festival, and on national tours of the U.S. Like a roller coaster, their “Psychedelic Gospel” experience leaves audiences feeling transported to the rail-yards of freedom.
Tan And Sober Gentlemen
Born and raised in North Carolina, the Tan and Sober Gentlemen began taking the songs, stories, and tunes that make up their beloved state’s musical tradition before they could talk. The music of the Carolinas, (and Appalachia in general) stems from the marriage of the Irish fiddle and the African banjo, which first met in the American South before the Revolution. The Tan and Sober Gentlemen aim to bring these traditions full circle. They play Irish tunes, ballads, and pub songs right next to the Appalachian fiddle tunes of their youth, melding the two into what they call “Irish-American hillbilly music.” Meanwhile, they have earned a reputation as one of the South’s hardest-hitting live acts, playing at blazing tempos, and putting every last bit of energy they possess into the show. The result is a raucous celebration of the Carolinas’ Irish heritage, with drinking, dancing, and merriment galore.Since their formation in 2017, the six-piece band has toured the US and Ireland, headlining legendary Irish clubs such as Whelan’s and the Roisin Dubh. Stateside, their resume includes festivals such as Bristol Rhythm and Roots, Appaloosa Festival, Tartan Day South, and Shakori Hills. In January of 2023, in their home of Alamance County, they sold 683 tickets to their show at the Haw River Ballroom. They released their sophomore record, Regressive Folk Music, in June 2022, and their debut record, Veracity, was named by Shite’n’Onions as one of the five best Celtic punk records of 2019 and 2020.
Tommy Prine (full band) with Maggie Antone
Tommy Prine’s debut album This Far South coming June 23, 2023 is not only a long awaited introduction but a testimony to Prine’s 20’s and the loss, love, and growth that has defined them. Co-produced by close friend and kindred musical spirit, Ruston Kelly, and beloved Nashville engineer and producer, Gena Johnson, the album is rich and dynamic from cathartic jams to nostalgic storytelling. “I feel like I’ve learned more about myself in the last year and a half than I ever have in my life,” Prine says. “And I think that speaks a lot to doing something that I’m passionate about. I love and respect the craft. Just hitting the road and doing what so many people before me have done and will continue to do, it’s really resonated with me. I think it’s transformed me into the person that I am meant to be.”
Jeffrey Martin X The Turkey Buzzards
As a babe Jeffrey Martin sought out solitude as often as he could find it. One night he stayed up under the covers with a flashlight and a DiscMan, listening to Reba McEntire’s ‘That’s the Night that the Lights Went Out in Georgia’ on repeat until the DiscMan ran out of batteries. That night he became a songwriter, although he didn’t actually write a song until years later. Eventually he found his way to a writing degree, and then a teaching degree. His students were fierce and unstoppable forces, and for all that they took from him in sleep and sense, they gave him a hundred times back in sparks and humility. Alas, music, the tour life, was a constant raccoon scratching at the back door. Jeffrey spent nights on end staring off into the dark, wondering if he could bear to leave teaching to go on tour full time. Eventually his brain caught up with what his guts had known for months. Jeffrey Martin tours full time these days. He prefers to drive if he can help it. Flying feels like the microwave of transportation. Driving is a slow cook over a wood fire. Martin currently lives in Portland, OR where most of his home time is spent wandering the neighborhoods with his good dog Jones, eavesdropping for song content. He finished recording a NEW ALBUM in January 2023, due out in the fall of this year. “Much like the duo themselves, the songs range near and far. From the sticky humidity of North Carolina to the dusty cellars of the West, The Turkey Buzzards tell simplistic stories that unravel through gritty vocals and thoughtful harmonies. The carefully crafted guitar riffs set against a solid bone bass stretch out across an American landscape with enough depth to sink well beneath the skin.”
Time Sawyer + Crenshaw Pentecostal
Time SawyerTime Sawyer’s name reflects the pull between the past and the future. The character Tom Sawyer evokes the rural background and love of home that the band shares. Time is a muse for songwriting; it’s the thread that runs through life, bringing new experiences and giving us a sense of urgency, while still connecting us with our past.The folk-rock band has performed on the stages of some of the Southeast’s most iconic festivals, including Merlefest, Floydfest, Bristol Rhythm and Roots Reunion, Albino Skunk Music Festival, and Carolina in the Fall. They’ve shared bills with American Aquarium, John Craigie, Hiss Golden Messenger, Langhorne Slim, John Moreland, Steep Canyon Rangers, The Wood Brothers, Susto, and many more.In March 2020 the band started a variety livestream called “Sam on Sunday.” The show originated out of necessity, as the pause button was hit for live shows, but quickly, connecting with friends, family, and fans each week became just as important. As live music returned, the project transformed into “Sam on Someday,” bringing together guest artists of widely varying genres to create memorable, one-time-only collaborative experiences.Time Sawyer’s songs call out the attitudes and behaviors that lead to our divisions – the way that we show understanding to our friends and family, without thinking about how folks outside our social circle are experiencing their own problems, and are, at heart, just like us. The music does what might seem impossible. It holds listeners accountable, but at the same time, draws them in and makes them feel good about what we all have in common. One of Time Sawyer’s goals has always been for listeners to feel a sense of community and connection during the show, and then to keep it with them, long after the music ends.Crenshaw Pentecostal Zach, Dusty, Brian, Jeremy, & DrewNorth Carolina Dive-bar Arena Rock est. 2017
Eliot Bronson w/ Alan Peterson
Over the course of six albums, indie folksinger Eliot Bronson has created his own brand of atmospheric American roots music. He’s an award winner. A road warrior with audiences on both sides of the Atlantic. An internationally-renowned songwriter with a voice that swoons and sweeps, making fans out of everyone from his hometown newspaper, The Baltimore Sun — who championed Bronson from the very start, hailing him as “a folk singing wunderkind” back when he was still playing local coffeeshops — to Grammy-winning producer Dave Cobb, whose work on 2014’s Eliot Bronson and 2017’s James placed Bronson on the same client roster as heartfelt songwriters like Jason Isbell and Chris Stapleton. Talking To Myself marks the most meditative, melodic album of his career, with sparse soundscapes that are laced with acoustic guitar, light touches of keyboard, and clouds of reverb. When Eliot’s voice enters each song, it’s like sunlight piercing its way through the fog. “There’s pedal steel, upright bass, and a little bit of electric guitar,” he explains. “Other than that, it’s just me and Damon.” He’s talking about Damon Moon, the Atlanta-area producer best known for his work with regional indie rock bands. “Damon usually makes records with louder bands,” Eliot says, “and that was interesting to me. I wanted to work with someone who had a different sensibility than I did. He brought a new atmosphere to the album. Instead of playing bass on a song, we’d use a Moog. Instead of playing a shaker, we’d use a brush on the side of a tambourine. We wanted to get outside the box of what an Americana folk singer is supposed to sound like.” The result is a 10-song showcase of spacey dream-folk, with Eliot Bronson pulling triple-duty as singer, songwriter, and co-producer. On his previous record, Empty Spaces, he wrote about the messy end of a decade-long romance and the start of something new. Portions of Talking To Myself serve as an epilogue to that story, with songs like “From Rabun Gap” and “Are You Still Mean” measuring the distance between past heartbreak and present resilience. Elsewhere, Talking To Myself finds Eliot taking stock of the world around him, turning his personal experience into universal songs about the feelings we all share. “I was writing about loneliness, isolation, and reflection,” he says. “The songs were written or refined during the pandemic, and that’s what I was doing during that period: reflecting. It’s not a pandemic album, but it’s one that reflects the depth of an inner-life cultivated in a unique time in our lives.”
An Evening With Driftwood
An Evening With Driftwood
Hank, Pattie & The Current- CANCELED!!!
Two of North Carolina’s veteran bluegrass musicians– Hank Smith on Banjo and Pattie Hopkins Kinlaw on fiddle– join forces with some of the most versatile musicians in the Carolinas to create modern, American, acoustic music featuring the full range of their talents as composers and arrangers. The band is on tour regionally and nationally in support of their new album, RISE ABOVE onRobust Records. The band makes use of traditional bluegrass instrumentation in a nontraditional way to present original music to the listener that goes beyond the limits of the idiom. The arrangements take on a new level of maturation that follows in the footsteps of Bela Fleck, Mark O’Connor, Chris Thile, Sam Bush, Edgar Meyer, and Tony Rice. Hank, Pattie & The Current want to pick up where seminal crossover groups like The Punch Brothers, Strength In Numbers and the ever-changing Bluegrass Allstars call home. The music is vocal and instrumental, allowing the band to experiment with arrangements and tailor the compositions to become vehicles for exploration. Hank Smith plays banjo, Pattie Hopkins Kinlaw plays fiddle and is lead vocalist. The Current includes Billie Feather on guitar and Stevie Martinez on bass.
The Pink Stones with Colin Cutler And Hot Pepper Jam + She Returns From War
“This record was me trying to take everything I love as a listener and a player and shove it all into one thing without it sounding random, ”says Hunter Pinkston, former punk turned cosmic country auteur, describing ‘You Know Who’, the boisterous, ambitious sophomore album by his band The Pink Stones. Ostensibly they play country music, yet all the pedal steel sobs, the two-steppin’ rhythms, twangy harmonies, and lyrics about broken hearts and long days on the road are launch pads for wild experiments and unexpected stylistic forays. “There’s obviously a lot of country and rock in our music, but there’s a lot of gospel and soul and psych and dub. I really wanted to get all of those things living peacefully together in one record.”**A Greensboro, North Carolina-based songwriter toting a guitar, banjo, and harmonicas, Colin Cutler’s music spans the breadth of Americana, from oldtime to blues to roots rock, with lyrics informed by the earthy storytelling traditions of the South, his Pentecostal upbringing, and literature. **Hailing from the historically rich city of Charleston, South Carolina, americana music artist Hunter Park is defining what it means to not only live in the modern south, but to be a trans woman and artist within this landscape. Combining folk-infused vocal melodies and evocative lyrics that capture the unfiltered human experience, She Returns From War is taking her seat in the Americana music world with grace, strength, and passion. The project shows no signs of slowing down. From opening for Bernie Sanders at his presidential rally in Charleston, to performing at national festivals like Stagecoach and High Water Festival and with artists such as Pat Benatar, Band of Horses, and Nikki Lane, She Returns From War is sharing with the world what the modern south should look and feel like: inclusive, compassionate, unfiltered, and loving.
Holler Choir Album Release Show w/ CASEYMAGIC
Led by the lyrical craftsmanship of singer, guitarist, and songwriter Clint Roberts, the distinctly Appalachian, old-time sound of Asheville’s Holler Choir combines haunting harmonies, stirring string compositions, and heart-wrenching ballads, yet hardly conforms to a stereotypical genre. Call it a confluence of old-time, Americana, and bluegrass, but, by its own exceptional design, the sound and atmosphere of Holler Choir are singular. Robert’s wordcraft and explosive vocal range is met with the dulcet clawhammer banjo plucking of long-time collaborator Helena Rose and the sturdy timekeeping of upright bassist Norbert McGettigan. With a rotating cast of gifted musicians featured on Holler Choir’s recordings and electrifying live performances, it’s no wonder they are the band to watch in 2023. The band’s inception began when recording Robert’s 2022 solo release, entitled “Mountain Air”. That fortuitous collaboration of gifted roots musicians at Asheville’s Crossroads Studios proved to be the genesis of an unmistakable new sound built on that shared experience. Produced by Grammy award-winning multi-instrumentalist, Michael Ashworth, of The Steep Canyon Rangers, the five-song EP lit the fuse and Holler Choir was well on its way to delight audiences throughout the southeast and beyond.
